Tea Party

teatime

Tea Time by Freaks United/ is a handmade porcelain high tea set based on characters. Build up to be a family each piece has it’s own identity. With their character-like look they seem to be living their lives on the table like soldiers in a little nation. But what is a high tea without a cake? And that can’t be an ordinary cake. No! we’re looking for a serious slice of camp so let me introduce you to De Taart van mijn Tante (cake from my Auntie). These cakes looks like something Dame Edna would run if in charge of Barbie’s bakery. This haute patisserie is art house kitsch all rolled into an amazing display of architectural wonders made out of icing and sponge cake.

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Are you my friend?

simon_hoegsberg-1

I met a lot of interesting, talented and funny people lately. They are located in different countries all over the world. We follow each other’s activities, we share dreams and thoughts, we make plans and we even party together …….

And it’s all happening in a virtual world.

I never expected to find myself chatting with complete “strangers” but here I am. And I’m truly enjoying it. Only together with these new friends a new problem has entered my life. Not being used to the virtual existence I’m getting frustrated by the inability of actually getting together. Thinking about that it occurred to me that it could easily happen that I ran across one of my virtual friends without knowing.

It could be one of these.

Simon Høgsberg captured 178 people over 20 days standing from the same spot on a railroad bridge in Berlin. Then he put the photos together in what could be the world’s largest panorama (100 meters, yes meters, wide!).

website: www.simonhoegsberg.com

Haute Nature – Haute Couture

phyllis_galembo

American photographer Phyllis Galembo has an obsessive love for attires and garments which people from different parts of Africa are wearing during religious and profane celebrations and rites. Her images are disconcerting. The photographer abstains from every form of décor or stylization, thus drawing the spectator’s eye directly towards the ‘living statues’. The natural extravagance of the dresses with their beads, shells, feathers and waste matter, evokes all sorts of involuntary associations with haute couture shows in Paris.

Do you think you stand out from the crowd?

gabbers

When I was in high school there was this group of kids whom I considered to be really cool and I desperately wanted to join this group. So I asked my parents for the same (expensive) sneakers they wore convinced that would do the trick. My mum then bought me the cheap fakes, which off course were very wrong and obviously I never made it to the cool kids.

So I started to present myself as as a “not wanting to wear ridiculously expensive sneakers original person” and joined another group. Like most people I was looking for a common language to express my individuality… by dressing alike

It’s this universal human desire to conform that’s led to Exactitudes

Photographer Ari Versluis and stylist Ellie Uyttenbroek have traveled the world to identify and document modern tribes, focusing on groups as diverse as Brazilian beach honeys in matching bikinis and Dutch grannies in identical beige raincoats. Whether the catalyst to fit in is created by class, gender, rebellion or other faces of identity, each individual subject in a series is posed and shot exactly the same as the others. When placed together in groups, it’s the ubiquitous style code that’s immediately apparent.

Note: looking at Exactitudes may cost you a lot of (fun) time.

Beach Animals

animals-at-the-beach

I mentioned it before but for those of you who are new here, I grew up near he beach. During the summer it is a crowded  place with playing kids, ice cream and all other kinds of  summer recreations. But off-season the beach is empty and that’s when I like it the most.

Then it can happen that during a walk you meet the Beach Animals. Large creatures walking all by themselves on the wet sand. Made out of simple electricity tube and tie wraps and still manage to look poetic.

The energy they need to walk is coming from stored wind in plastic bottles and with a very simple primary brain and sensors (remember we are still talking about electricity tubes and tie wraps here) they can make decisions about their destination so they can survive on the beach. They won’t walk into the sea or get stuck into the loose sand.

On the coastline they collect the sand that washes ashore and move it to the dunes. It is their contribution to keep our coast intact.

With his rare logical insights and technical skills Theo Jansen is the inventor of a complete new evolution theory. His target is to create a new autonomous life form and I already have fallen in love with them

Theo Jansen’s Creatures from Datamouth on Vimeo.

The Cosmopolitan Chicken

mechelen

There is a little bakery near my house and behind the counter stands an iron basket filled with eggs. Every time I’m in this bakery I imagine how the shop owner, a big guy with big hands, is putting the eggs in the basket. It seems such an easy task but it’s not. He really has to be focused on his actions because these fragile eggs could so easily break if you place them wrong.

So what is this guy thinking about when performing this daily routine. I could ask but then I’m afraid he would tell me about unpaid bills or his boring wife and the magic would be gone. So I rather fill in his thoughts myself: Which came first, the chicken or the egg.

In 2000 Koen Vanmechelen launched his Cosmopolitan Chicken Project and started crossing breeds of different chicken from different countries with the aim of eventually returning to “the original chicken” This intervention not only occurred in chicken coops and cages but also in his artistic creations when he “crosses” chicken specimens with other animals, like eagles or artificial materials like glass.

This crossbred touches a lot of contemporary social issues such as genetic manipulation, cloning and globalisation, but also tackles fundamental questions about humanity. What is life? What is our identity as a species and as an individual?

Agnes Husslein explained it beautifully: “The egg is the perfect metaphor. It represents fertility, the beginning, but it also signifies a confined but formally ideal space, a wonderful cage that will break open, and out of which something new will be created and nobody knows exactly what. In the ongoing cycle of fertilizing and being fertilized, liberating and being domesticated, the egg at the beginning is the ultimate cage”

Note: all the chickens in this project are taken really good care off. In contradiction to most of the chicken or eggs we buy in our supermarkets

Website: www.koenvanmechelen.be

Tjielp ……

lotte-geeven3

De Mus 

Tjielp tjielp – tjielp tjielp tjielp 
tjielp tjielp tjielp – tjielp tjielp 
tjielp tjielp tjielp tjielp tjielp tjielp 
tjielp tjielp tjielp 

Tjielp 
etc. 

“Thousands of bird species cut out from the New York Times move as a coloured swarm cloud through small alleyways and over the pavement. With New York City as a decor on the background, they map the route of the wind.”

Website: Lotte Geeven
Poem written by: Jan Hanlo

From Nothing to Nowhere

akkerwinde

Imagine yourself driving in the Dutch countryside and all of a sudden on an empty road in the middle of nowhere there is this bridge. Thank god it’s a quiet road because I can imagine you hit the breaks, u-turn or do other wacky actions just to get another look.

The bridge, located in Sneek in the Netherlands, somehow looks both revolutionary and familiar. The construction reminds of the wooden frames for boatbuilding, the contour is reminiscent of the farms in Friesland.

But the bridge is also the first heavy traffic road wooden bridge in the world. Made from “Accoya® wood it can support the heaviest load class of 60 tons. Spanning 105 feet and rising more than 50 feet in the air, this impressive structure forms a beautiful and dramatic connection between two …… industrial areas

OAK Architects is a collaboration between Achterbosch Architectuur and Onix architects

Little Red Riding Hood

hinke

Little girls, this seems to say,

Never stop upon your way.

Never trust a stranger-friend;

No one knows how it will end.

As you’re pretty, so be wise:

Wolves may lurk in every guise’.


As a little girl Hinke Schreuders used to dream about being Little Red Riding Hood. Wandering in a dark wood she meets the wolf and just before he eats her she would wake up.

Nowadays Little Red Riding Hood keeps returning in her work. The story is known as a symbol for the dangers girls can ran in their path in life. But, is Little Red Riding Hood really a neat girl?
The original story, written by Charles Perrault in 1683, is a little different from the one familiar to us. Here Little Red Riding Hood does a striptease for the wolf, then crawls naked in his bed and at the end the wolf eats her. No rescue here. It was meant to be a warning to the young ladies of nobility; they had better not be tempted or otherwise …

In the course of the centuries the story changed. In the fairy tale we read to our children, an observant hunter accidentally in the neighborhood rescues Little Red Riding Hood. He frees her from the belly of the wolf and they live long and happy ever after. As the neat compliant wife she should be.

The embroidery technique Hinke Schreuder uses is a technique associated with the good, diligent housewife but at the same time her work shows a duality between sexual self-awareness and innocence, neither seems to promise a template for Utopia nor complete despair.
Her Little Red Riding Hood shows us two sides of the girl. There is the “good girl” and there also is the girl being seduced to leave the right path. Because she might want to go her own way, because she’s looking for adventure. Or because she actually wants to be seduced by the wolf

Website: www.sudsandsoda.com

Gone With The Wind

zuiderzeemuseum

A long walk at the beach made me think about my roots. I grew up near Scheveningen, which is an old fisherman’s village where women used to wear beautiful traditional costumes. When I was a little girl there already weren’t many woman left who actually wore these costumes but my friends grandma was one of them. She taught me the meaning of the different garments and how and when to wear them. I loved these clothes especially the laced headgear with the golden ornaments and the blood coral necklaces.

Nowadays the number of wearers has dropped below 80, mostly elderly women. And no, I don’t think we should go back in time and start wearing these costumes again, we would look really silly but I do think it would be a shame if we forgot the techniques.

That is what the fashion designers Alexander van Slobbe and Francisco van Benthum must have had in mind when they (guest) curate the exhibition Gone With The Wind.

They invited high-profile Dutch designers of fashion, jewellery and accessories, stylists, photographers and illustrators to give an inspiring picture of the wealth of ideas latent in the Dutch world of fashion and how it relates to the Dutch dress tradition.

I think I like to wear some of these on my next walk on the beach while waiting for the fisherman to return home safe and I wouldn’t look silly

Zuiderzee Museum in Enkhuizen (22 March – 22 November 2009)